Finally got to the
Yoko Ono retrospective at MIT. It's interesting in
that the pieces, by and large, aren't given the usual heirloom
treatment. In many cases, the viewer is invited to mess with the work
--- all-white chessboards, with white pieces on both sides, which
visitors are invited to play; a wishing tree by the door to which
visitors can add their own wishes on a provided supply of blank tags;
a telephone which Ono calls every once in a while to chat with whoever
might be there. Some of her most famous work is the "incomplete
paintings", which consist of instructions to the viewer --- there are
copies which you can remove from the gallery and carry away; I came
away with one, "smoke painting", which reads:
-
Light canvas or any finished painting with a cigarette at any time
for any length of time.
See the smoke movement.
The painting ends when the whole canvas or painting is gone.
And yet, and yet.
One of the works on display is from the show at which Yoko met John Lennon; it's the first piece he saw, and the one which got him to stay in the gallery. On the ceiling above a white lader, in letters small enough that you need the attached magnifying glass to read it, is the word "yes".
Visitors are strongly cautioned not to climb the ladder.
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